All in Reviews
Our film critics on the latest and highly anticipated film releases to-date. Featuring blockbusters,
independents, and more.
White’s images in “The Militarisation of Dartmoor” artfully capture the subtle tension that exists between the training area’s man-made settlements and the national park’s natural environment.
For the first time, Mariah Robertson's show Repetition & Difference makes its way to the west coast at the M+B Gallery in Los Angeles, CA.
Inside Larry Fink’s photographs is an intriguing sociological study; as a silent observer among various social groups, the American photographer captured the often overlooked nuances that both unite us and set us apart.
The images appear to have naturally emerged from the leaves themselves, as the fine details of each face interweave with the veins of the plant.
Sunlight pours down from the lofty 92-foot-high glass ceiling, steel beams arch overhead, and three site-specific installations by Stan Douglas, Kehinde Wiley, and artist duo Emelgreen and Dragest can be glimpsed throughout the building.
In her most recent exhibition at Robert Mann Gallery, entitled Pipelines and Permafrost, Mary Mattingly’s landscapes served as poignant reminders of the harsh effects of climate change.
Beyond Appearances carries a history of looking relations into the 2020s. Curated by Alice Le Campion, the show puts theory into practice and offers viewers the opportunity to question cultural assumptions about gender representations.
Each photograph is carefully taken and printed and becomes a reflection of the respect for these inanimate storytelling objects that Sternbach has.
The Kamoinge artists were a collective that created a space that centered the Black experience and gave a voice to Black artists in ways that weren’t given to them by the mainstream art world.
Opening on Nov. 13, Jackson Fine Art Gallery in Atlanta, Georgia opened its doors to viewers who had made appointments in advance to view their newest Exhibition, The Garden, where Erik Madigan Heck and Saul Leiter’s photography are displayed.
Odette England is acutely aware of the relationship between a love note and a photograph.
The viewer feels as though they’ve been invited into a small private world where they are finally allowed to peek behind the curtain and see the subjects and connect with them.
Beneath the veneer of bright colors and flowery patterns, “A Long Way From Home” is biting and angry, and expresses a deep weariness at a violent history we continue to repeat.
Hopinka’s mode of sharing his narrative is very unique, combining text and poetry (written, spoken, and sung) with images, the sixteen still-life transparencies of which come first.