Everything I do comes from cultivating intuition and then not judging what I see.
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Everything I do comes from cultivating intuition and then not judging what I see.
“It was a slow process to get to understand that everything that I was doing actually was political.”
The post-apocalyptic, doomed-like tone of the show is just one if the possibilities if we don’t start thinking seriously about labor issues and class in this country.
Musée would like to congratulate Nan Goldin on her recent Lifetime Achievement Award from the Center for Photography at Woodstock!
Control is something that we find ourselves under, and the power where it emanates is so distant that it makes us look smaller than we are.
The struggles around women’s reproductive rights have been ongoing and will continue to proceed in fits and starts.
“I think that when everything is too placid and quiet in the picture, I think it can get a bit mundane and boring.”
We are still condemning the art world for its lack of ethics, tokenism, and other bad behavior.
I believe a certain form of ignorance can be empowering. Not knowing can be a motor for curiosity and in turn, fuel creativity.
I realized two important things: that I feel uneasy when I intrude upon people and how important the physical spaces in which people meet are to me.
Simpson’s work culls from our shared history, echoing themes and power dynamics within gender, race and culture and how these elements combine in our manifestation of memories and creating identity.
"I’m not a savior. I’m just me, and I’m just doing my thing."
I was always aware of my plight and displacement. I am from an area known as “the bottom.”
To celebrate Women’s History Month, we are sharing articles from Musée No. 13 — Women.
It was 2014 when photographer Sam Geballe’s life became dramatically different.
Imagine a world—a tableau of visual landscapes—filled with play, leisure, delight, and wonder. We are invited into simple scenes of the everyday mundane in which people are shown as just being.